Fourteen distributors of experimental film and video art each selected a short film from their collection that says something about the spot where it comes from - the feeling of that city, the stories of the country.
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A self portrait that also challenges the spectator's own view of Berlin.
Ezgi Kilinçaslan, 2008, Germany, 6 min.
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A clever, playful reflection on the idiom that is used to construct reality in cinema.
Elías León Siminiani, 2009, Spain, 8 min.
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Film maker Alexandra Grimanis dunks us briefly in her memories of a day when she went to the park to meet a man she didn't know.
Alexandra Grimanis, 2009, Canada, 5 min.
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In this music video, simple animation techniques and GarageBand beats reflect the rudiments of club culture.
Kalup Linzy, 2007, USA, 1 min.
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A winter storm insists its presence on an expansive flat plain, where a figure performs a ritual in two parts.
Leah Decter, 2008, Canada, 7 min.
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Film experiment with light and ‘pure’ cinema from 1924 by a film maker who lived his whole life in the shadow of his brother, René Clair.
Henri Chomette, 1925, France, 6 min.
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Inquiry into the formation of individuals within the framework of ideological manipulation on the part of the state or insurgent groups.
Carlos Motta, 2008, USA, France, 8 min.
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Film maker exchanges roles with a prostitute for four hours. Both of them assume the entire responsibility.
Marina Abramovic, 2009, Netherlands, 5 min.
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In this short animation, animals tackle the subject of body dysmorphia and the merits of reconstructive surgery.
Jessie Mott, Steve Reinke, 2009, Canada, USA, 4 min.
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Just how perfect is the perfect world of commercials?
Sabine Hiebler, Gerhard Ertl, 1995, Austria, 5 min.
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An amazing and thought-provoking meditation on the seal hunt and what it means to the traditional way of life of the Inuit.
Félix Lajeunesse, Paul Raphaël, 2009, Canada, 7 min.
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The faces of the Sami merge with mountain landscapes, set to music performed without instruments.
Liselotte Wajstedt, 2008, Sweden, 3 min.
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Throughout Hall of Mirrors, Sonbert underscores the materiality of film and the self-referential aspect of the film making enterprise.
Warren Sonbert, 1966, USA, 7 min.
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A typical Dutch tableau. Cycling rapidly through the living room, de Nooijer recalls film master Frans Zwartjes.
Paul de Nooijer, Jerry King Musser, 1981, Netherlands, 4 min.
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