Kelani's Yoruba world view presents the story of a king who brays against corruption while rigorously prosecuting economic reform and handily welcoming foreign investors.
Tunde Kelani has by this time carved himself a unique position by creating a distinctive African cinema outside the Nollywood regime. Kelani melds a Yoruba world view, theatrical pageantry, social satire, epic theatre stylistics, byzantine plot turns, and disjunctive breaks into alternate styles.
Here, he presents the story of a king of an imaginary town who brays against corruption while rigorously prosecuting economic reform and handily welcoming foreign investors: there's no mistaking the parody of former President Obasanjo.
The leadership portrait emerges as the key sub plot in a ornate romance featuring the Arugba - the virgin who carries the sacrificial calabash during the Osun Osogbo festival - and a young dancer intent on winning her. Set against the backdrop of a corrupt society seeking cleansing, rebirth and nationhood, with all the attendant intrigues, the Arugba must perform her annual traditional role of carrying the sacrifice in a procession to the river.