Throughout Hall of Mirrors, Sonbert underscores the materiality of film and the self-referential aspect of the film making enterprise.
This film is an outgrowth of one of Sonbert's film classes at NYU, in which he was given outtakes from a Hollywood film photographed by Hal Mohr to re-edit into a narrative sequence. Adding to this found footage, Sonbert filmed Warhol’s superstars René Ricard and Gerard Malanga in more private and reflective moments. (Jon Gartenberg)