A dystopian cut-and-splice of deep forest survival and 2D breakdown from one of animation’s rising stars.
A murderous babe in the wood meets a shell-shocked soldier amidst layer upon layer of texture, crackle and hiss and bewildering hand-drawn animation. It’s a fresh-from-the-box Stephen Irwin film, and a more than fitting sequel to his The Black Dog’s Progress, Rotterdam Tiger Award Competition for Short Film 2009.