Film experiment with light and ‘pure’ cinema from 1924 by a film maker who lived his whole life in the shadow of his brother, René Clair.
Cinema can create, and has already created a sort of rhythm…. Thanks to this rhythm the cinema can draw fresh strength from itself which, forgoing the logic of facts and the reality of objects, may beget a series of unknown visions, inconceivable outside the union of lens and film. (Henri Chomette, 1924)